Tag Archives: “Guy Pearce”

Prometheus

Prometheus, the official line is “…a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe.” We all know this is the highly anticipated prequel to the legendary Alien franchise. Nuff said.

I sooooo wanted to love, Love, LOVE! this movie, but it was not meant to be. Let’s start with what I like about Prometheus. I can call this film visually EPIC in the very definition of the word. You get the feeling you are watching an EVENT. Something important and worth every second of your time. It is absolutely gorgeous and expansive. Too bad the crew doesn’t convey that wonder.

And for the bad… As grand as the film work is, the story and characters are lacking. Important points and events are introduced and never explained. The key word of the last sentence is “important.” Not a little detail like what does one eat after a long hyper sleep, but more like, “Hey, I wonder what killed off all these superior life forms that we traversed the galaxy to find, and finding out may be very relevant to surviving this mission.”

We get the now familiar artificial life form (Michael Fassbender) and meeting of the hodge podge support crew in the cargo bay, getting briefed about the mission. But we never really get to know the “red shirt” crew. The only memorable portrayal is Fifield (Sean Harris). Apparently throughout time, no one actually knows what the hell they are signing up for that involves deep space travel and years of your life. They just go, “Yeah, I’m in,” and jump in a clear tube to sleep for the journey.

A symptom of space travel seems to be a loss of common sense, on a human level and as a scientist. Charlie Holloway (Logan Marshall-Green), one of the lead archeologists, becomes infected, and what does he say? NOTHING! He is totally aware that something is not right, and continues on. The only benefit I can see of this is to give Meredith Vickers (Charlize Theron), an opportunity to show some intelligence and not let him back on the ship when he is transforming. Another symptom must be not giving a shit. If you get to the point when discovering new, sentient life forms on another planet and ground breaking information about human history becomes blasé, I guess you can say you have done it all.

If I had to choose a single phrase for Prometheus, it would be gorgeous but underwhelming. I expected more of a cohesive story. It wasn’t as bad as watching Lost, but in the ballpark. If you just sit back and take in the wonder, and don’t pay attention to the details, this can be an enjoyable film. Given the mythology that has been created, I feel the details are crucial. The imminent sequel holds promise, but then so did this.

 

Lockout

In the year 2079, apparently man is still alive and building REALLY stupid prisons.

Lockout has a few issues in addition to the opening line… Virtually every scene or character reminds me of someone from another movie. The films that immediately come to mind that served as direct source material are Escape from New York, Demolition ManFifth Element, Star Wars, Battlestar Galactica, Blade Runner and probably Batman Begins as well.

You can read the one sentence, 47 word synopsis on the Lockout official website. I’m going to jump straight to the plot chasms. (AKA spoiler alerts.) A maximum security prison, in space, for prisoners in suspended animation. They escape and shoot one of the techs, it is revealed the orbit has started to decay because it is a fly by wire system, which is constantly on the verge of falling out of the sky, kept aloft by said dead tech. Really? Wouldn’t all the gunfire destroying important systems been more plausible? Who is going to have a multi billion dollar installation kept in orbit by “red shirt” tech Smith? As it turns out, the decaying orbit was a plot point to force them off the prison, or else it would have dragged on forever. Did I mention the prison has an incredibly effective Battlstar Galactica level defense system, activated by one button. But the Low Orbit Police have no way of over riding it?

The breakout begins when Emilie Warnock (Maggie Grace), the President’s daughter, flies up to the prison on a humanitarian mission. One of her secret service men takes a weapon into the interrogation room. I thought he was supposed to be a professional… The interrogation room is divided by a wall with bullet proof glass, but the Emilie’s secret service men are on the side of the prisoner?!?! Hydell gets mouthy > SS man slams his head into table > Hydell takes his gun > SS men on Emilie’s side fire > gun fire from Hydell’s side > explosion from Emilie’s side of the protective glass. WTF? It all happened so quick and close up, it’s hard to follow the action.

Hydell (Joseph Gilgun, known as Rudy Wade from Misfits) is the inmate being interviewed by Emilie. He’s quite deranged and the little brother of the man who assumes control of the prisioners, Alex (Vincent Regan). If you are trying to be a criminal mastermind, and your brother is a lunatic who is probably responsible for landing you in suspended animation prison, would it not be better to put him down? Family ties can only go so far until they choke you.

This film was a jumbled mess. Which is odd, because the poster says, “From the producers of Taken“, which I really enjoyed, and the original idea/partial screenplay credit goes to Luc Besson, who has turned out some awesome stuff.  I generally like Guy Pearce (who plays lead character Snow), but he does not quite pull off the bad ass, wise cracking pseudo hero.

On a (partially) positive note, most of the special effects in space were somewhat decent, but an unnecessary motorcycle chase scene was absolutely laughable.